Episode 60 - How Speakers Can Turn a Keynote Into a Speaking Album: Lessons From Chawn Bracey

Jane Anderson Episode 60 - Multimedia Content Producer & Founder of Motivator Music LLC Chawn Bracey

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What happens to your message the moment you step off the stage?

For most speakers, the answer is: not much. The audience claps, the room empties and the energy fades. In this episode of The Jane Anderson Show, I sat down with Chawn Bracey, founder of Motivator Music, to talk about how speakers can keep their message working long after the keynote ends, using speaking albums, short videos and a refreshed speaker reel.

Chawn is a multimedia content producer. His company uses a remix process to develop speaking albums and videos for clients, and he has helped them land commercial voiceover deals and rack up thousands of streams, according to his company. His route into this work started in broadcasting school, with a handful of weekly motivational skits. It now covers speakers from many countries.

This article walks through what a speaking album is, how one gets made, and the practical ways speakers can use it to market their work, hold their fee and keep their message sticky.

From Broadcasting School Skits to Speaking Albums

Chawn's start in the speaking industry was a mix of hustle and timing. While studying broadcasting, he produced a weekly series of motivational skits called Motivation for the Motivated. Each week meant a fresh idea, filming, editing and posting to YouTube and social platforms, all inside seven days. He describes it as throwing yourself into the fire, and he was studying marketing techniques at the same time and putting them into practice.

A motivational speaker noticed the series and wanted to collaborate. Chawn offered to edit a speech. While building an instrumental for it, he wrote a cinematic score because the speech felt like it had the makings of a Rocky-style theme.

That gave him an idea: what if several speeches flowed together with the structure of a typical song? He contacted speakers on LinkedIn about a free project, and was surprised by how many wrote back. There was too much material for one track, so the project grew into a compilation album. Some of those speakers then asked what the same thing would look like for them.

What Is a Speaking Album?

A speaking album is a collection of short audio tracks built from a speaker's own material, such as conference footage, YouTube videos or a freshly recorded voiceover. Each track is remixed with music and, in many cases, paired with video.

As Jane described it during the conversation, you start with something captured on stage, perhaps a story from a keynote. Chawn then elevates it with music and imagery that match the mood of the message.

Tracks tend to run around three to four minutes. Chawn compares the experience to listening to a CD, and notes that the format suits how people listen now: "Attention spans are decreasing by the day." A podcast of 20 or 40 minutes can be packaged into shorter pieces so listeners get the same value in smaller servings.

It also works as a companion to other assets. If you have written a book, an album of 12 key messages can serve readers who do not have time to read the whole thing. Chawn calls it the best marketing tool a speaker could ask for.

How Long Does It Take, and What Do You Get?

According to Chawn, the production itself takes two to three weeks. That follows an initial stage where the speaker spends roughly 30 to 60 minutes taking stock of what they already have:

  • Footage from a conference

  • A video already on YouTube

  • A fresh voiceover recorded for the project

It is usually a combination of all three. From that archive, the team decides what message the album should carry. That might be showcasing a new keynote or bringing fresh energy to an older one.

The typical package, Chawn explains, is an album of eight to 12 tracks plus a few videos. Where a speaker does not have a current speaker reel, one is created or cleaned up as part of the package. He has seen too many speakers promoting a reel that is three or four years old. Content lives forever, he says, but it is worth refreshing.

On album length, Chawn's sweet spot is eight to 12 tracks. You do not need a whole lot, he says. It is about impact, and eight is a solid minimum.

Ways Speakers Can Use a Speaking Album

Back-Of-Room Sales and Extending the Keynote

Chawn points out that the people in your audience are often the ones who get you rebooked. An album gives them a way to keep engaging with you beyond the event. From the stage, a speaker can mention that they turned the talk into an album, which makes a natural back-of-room offer.

Chawn also describes the effect on an organisation. If staff listen to your album between tasks, they are reminded of your talk every time they come to work, so the lessons keep getting applied.

Music Inside the Keynote Itself

Music can also be built into the talk, depending on how the event can incorporate sound. Chawn's examples include:

  • Walkout music as you take the stage

  • A transition between one point and the next

  • A strong finish at the end of the keynote

  • Or all three

In his words, "Every superhero needs their theme music."

Holding Your Fee With Added Value

Jane raised another use: adding value rather than discounting. If you are speaking at a large event, whether in person or online, the album can be offered to every participant as a bonus. It could be a download, a private streaming channel for the client or even a physical product in the post. Jane's example: if an album sells for a nominal $30 and 3,000 people take it up, you have created real negotiating power to hold your keynote fee instead of discounting it.

Chawn had not yet seen a client offer an album in that way, but agreed it could be very beneficial.

A Way Into Your Marketing Funnel

Chawn has seen speakers use the album and individual tracks as the entry point to a funnel. A free download of the album works like offering chapter one of a book in exchange for an email address. The marketing technique is the same. The album simply becomes the centrepiece.

Jane added the idea of drip-feeding tracks to participants over the week after an event, so the message keeps moving.

Changing the Room, Not Just Delivering Content

Jane referred to an idea she has taken from her mentor Matt Church: that a world-class speaker's job is not just to deliver content, but to change the room. Chawn agreed. Event organisers want to see visible change after they book a speaker: more energy, better questions, higher engagement.

Because speakers are often too close to their own material, an outside creative who understands the speaking industry can see the opportunities in it. That is part of what Chawn brings. The difference between one speaker being booked over another is often small, he notes, because many speakers can deliver similar value.

The Biggest Hurdle: Getting Started

When Jane asked about common mistakes, Chawn said that getting started can be either the easiest or the hardest part.

It is easy if you already have an archive, a home studio or footage ready to send. It is hard if you have not organised any of it, need to email five different people to track down footage from an old keynote, or are unwilling to record a new voiceover. He points out that you can record a voiceover on your phone in about ten minutes, and that can be the centrepiece.

His advice to speakers is to act now and put your material out there. He notes that Tony Robbins has an album, and that Zig Ziglar was already doing something similar. Jane's takeaway was that these old-school ideas are being brought into the 21st century. The purpose behind them has not changed. What has changed is that you can repurpose the content into digital formats and use it across platforms.

Frequently Asked Questions

What is a speaking album?

It is a collection of short audio tracks built from a speaker's own material, such as conference footage, videos or a new voiceover. Chawn Bracey's company remixes it with music and often pairs it with video, so the speaker's message can be listened to on the go.

How long does it take to create a speaking album?

Chawn says the production takes two to three weeks. It follows an initial 30 to 60 minutes where the speaker gathers footage and decides what message the album should carry.

How many tracks should a speaking album have?

Chawn's sweet spot is eight to 12 tracks. He says eight is a solid minimum, and that the album does not need a whole lot to have impact.

How can speakers use an album to market their work?

Chawn and Jane discuss several uses: back-of-room sales, a bonus for event participants, a free download that captures email addresses, and a drip-feed of tracks after the event. Music can also be used within a keynote as walkout music, a transition or a finish.

Do I need a speaker reel as well?

Chawn includes a speaker reel in his package for speakers who do not have one, and encourages refreshing an older reel. He has seen speakers promote reels that are several years old.

What if I do not have much footage?

A new voiceover can be recorded on your phone in about ten minutes and used as the centrepiece. Chawn says the hardest cases are those where nothing has been organised and footage is scattered across several people.

Conclusion

Chawn Bracey's message is simple: your best ideas should not disappear when the keynote ends. A speaking album, a few videos and a current speaker reel give your audience, and the people who book you, more ways to experience your message before and after you take the stage. The first step is modest: gather what you already have and decide what you want the album to do for you.

To hear more about Chawn's work and how he approaches speaking albums, listen to the full conversation with Chawn Bracey of Motivator Music.

Work With Jane Anderson

If this conversation got you thinking about how your message shows up before and after you speak, here are ways to take the next step:

  • Women With Influence: Join a community of B2B women consultants, coaches and advisors building world-class practices.

  • Present With Influence: Design engaging keynotes, manage speaking nerves and build a stronger presence on stage.

  • 1:1 Coaching: Work directly with Jane on your personal brand and business growth strategy.

✨ Tune in to hear how music, video and storytelling can keep your message moving long after the keynote.

 

Key Takeaways from Today’s Episode:

 

Full Show Transcript:

 


Most of the guests interviewed are current or alumni members of the Women With Influence community. Click here to find out more

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